Jennifer Brennan-Hondorp

Kishna Davis

Pamela Hinchman

Teresa Seidl

Desiree Wattelet

Stella Zambalis

Buffy Baggott

Julia Elise Hardin

Jennifer Lane

Carol Sparrow

Michelle Wrighte

Robert Bracey

Benjamin Brecher

James Doing

Randolph Locke

Jeffrey Springer

Mark Thomsen

Bradley Williams

Kenneth Overton

Frederick Reeder

Charles Robert Stephens

Gerard Sundberg

James Patterson

Additional Artists

THE BEST OF GILBERT AND SULLIVAN

A GERSHWIN GALA

Concert Quartets

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Bach: St

Bach:  St. John Passion

Toledo Symphony Orchestra

The grandest and most dramatic voice of the evening belonged to tenor Robert Bracey . . . Bracey sang with authority. The effect of his opening aria, an anguished soliloquy from the apostle Peter after denying Jesus the third time, was chilling, even brutal, as he condemned the “wrong-doing evil deed abhorred.”

-The Toledo Blade

 

Handel: Messiah

Detroit Symphony Orchestra

Bracey, opened “Every Valley Shall Be Exalted” with a voice as lyrical as it was powerful.

 -The Grand Rapids Press

 

 

Robert Bracey, tenor

Robert Bracey, tenor

Robert Bracey, tenor

           

            Robert Bracey has performed throughout the United States and made appearances in Canada, Russia, Europe, India, and Japan. He was awarded first place in the 2002 Oratorio Society of New York’s Annual International Solo Competition at Carnegie Hall. He returned to Carnegie Hall for performances of Handel: Messiah later that year. He made his Detroit Symphony debut at Orchestra Hall and his Kennedy Center debut in Washington, DC with the Choral Arts Society of Washington.

            Recent engagements include performances with the Symphony Orchestra of India and the Paranjoti Academy Chorus at the National Centre for the Performing Arts in Mumbai, India, the Telemann Chamber Orchestra in Tokyo and Osaka, Japan, Oratorio Society of New York, Wisconsin Chamber Orchestra, Detroit Symphony, Grand Rapids Symphony, Pacific Symphony, Orlando Philharmonic, Choral Arts Society of Washington, ProMusica Chamber Orchestra, Dayton Philharmonic, Syracuse Symphony, Wichita Symphony, Elgin Symphony, Southwest Florida Symphony, North Carolina Symphony, Duluth-Superior Symphony, Fort Wayne Philharmonic, Illinois Symphony, Flint Symphony, Midland Symphony, East Texas Symphony, Duke University Chapel Choir, Boise Philharmonic, Independence Messiah Festival, Choral Arts Society of Greensboro, Ann Arbor Symphony, Greater Lansing Symphony, Bach Festival Society of Winter Park, Messiah Choral Society of Orlando, Choral Society of Durham, Kalamazoo Bach Festival, and the University Musical Society in Ann Arbor, Michigan.

            He has worked with such well-known conductors as Helmuth Rilling, Simon Preston, Sir Philip Ledger, Norman Scribner, Carl St. Clair, Jos van Veldhoven, David Lockington, Hal France, Lyndon Woodside, Gustav Meier, Grant Llewellyn, Robert Hanson, Enrique Diemecke and Andrew Sewell.

            A Regional Finalist in the New York Metropolitan Opera Auditions, he also won first place in the National Association of Teachers of Singing Regional Competition. Other honors include the N.A.T.S. Jessye Norman Award for the most outstanding soloist at the competition, the Rose Marie Jun Voice Award, the Betty Brewster Award from the Cranbrook Music Guild, the Joy Whitman Weinberger Opera Award, a Dean's Award from Bowling Green State University, and winner of the University of Michigan Concerto Competition.

            Centaur Records released Bracey’s first solo compact disc in 2006. The recording of English art songs entitled Sweet was the Song also features pianist Andrew Harley and violist Scott Rawls. It is available in markets worldwide.

            He holds a Bachelor of Music Degree in Music Education from Michigan State University, a Master of Music and a Doctor of Musical Arts Degree in Voice Performance from the University of Michigan. He has previously served on the faculties at Bowling Green State University and Michigan State University. He also taught on the voice faculty of the Michigan All-State program at the Interlochen Arts Camp for twelve summers. He is currently Associate Professor of Voice and Chair of the Department of Vocal Studies at the University of North Carolina at Greensboro.

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